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The Eight Mountains: A Novel

Overview

Paolo Cognetti’s The Eight Mountains (Le otto montagne) is a novel first published in Italy in 2016. It is at once a coming-of-age story, a portrait of friendship, and a work of mountain literature. Narrated by Pietro, it follows the changing relationship between two boys from different backgrounds across childhood and adulthood. Cognetti sets their story in the Italian Alps and uses a spare, measured style to explore family, belonging, solitude, memory, and the ways a life can take shape over time. The novel won Italy’s Strega Prize in 2017, along with the Strega Giovani and the Prix Médicis étranger, and became an international success through translation.

Pietro grows up in Milan, but his parents take a summer house in the mountain village of Grana. His father, Giovanni, is an enthusiastic mountaineer, though the bond between father and son is not an easy or openly affectionate one. In Grana, Pietro meets Bruno, the son of a local stonemason. Bruno belongs to the village and its working rhythms; Pietro arrives from the city for the summer. Their difference does not prevent a close friendship. The mountains become the place where they discover one another and where Pietro first encounters a way of life that feels larger than a holiday or an escape from the city.

As the boys grow older, their paths diverge. Pietro travels, leaves, and returns, trying to understand what he wants from life and how he relates to his family. Bruno remains more closely tied to the mountains where he was raised. Giovanni’s influence continues to shape Pietro even when the two are apart. After his father dies, an inheritance connected to the family’s property in Grana brings Pietro back into contact with Bruno. Their renewed collaboration makes friendship a question not only of shared childhood, but also of what two adults can still build together when they have chosen different lives. The story moves through separations, returns, and recollections rather than relying on a succession of dramatic twists.

The meaning of the mountains

The title draws on a cosmological image in which Mount Sumeru stands at the world’s center, surrounded by eight mountains and eight seas. The image becomes a way to consider contrasting ideas of a life’s purpose: one person may seek a central summit, while another travels among the surrounding ranges. The novel does not offer a simple verdict on either path. Instead, Pietro and Bruno’s choices make the reader consider whether a life must reach a single peak to have meaning. The mountains are both a physical landscape and a measure of human time. Their scale can make people feel small, but they also give form to memory, freedom, and attachment.

The book is equally attentive to fathers and sons, to masculine reticence, and to the difficulty of understanding the people closest to us. Pietro’s later reflections gradually complicate his childhood view of Giovanni. His friendship with Bruno, meanwhile, endures not because the two men become alike, but because their differences remain part of their bond. Cognetti’s quiet prose lets gestures, silences, weather, and distance carry emotional weight. His sustained interest in mountain life gives the setting a lived-in presence rather than making it a picturesque backdrop.

The novel’s Italian publication in 2016 was followed by major awards and wide international circulation. Its 2022 film adaptation brought the story to another audience, while the book has remained one of Cognetti’s best-known works. Its lasting appeal lies in the way a particular Alpine friendship opens onto broadly recognizable questions: where home is, what we inherit from our parents, whether leaving is a form of freedom, and how people remain connected even when their lives take separate courses.

About the Author

Paolo Cognetti

Life and education

Paolo Cognetti was born in Milan, Italy, on 27 January 1978. He is a novelist, short-story writer, essayist, and filmmaker. He initially studied mathematics at university, then left that course of study to attend Milan’s Civica Scuola di Cinema Luchino Visconti. He graduated from the film school in 1999. The shift from mathematics to filmmaking reflects the range of interests that informs his work: careful observation, narrative structure, and the visual character of places. Raised in the context of a northern Italian city and deeply drawn to the mountains, he has divided his time between Milan and the Alps. That movement between urban life and mountain landscapes is also central to many of his books.

Cognetti began his literary career with short fiction; his first work as a writer was the short story Fare ordine. He went on to publish several story collections before turning to the novel. His early collections include Manuale per ragazze di successo (2004) and Una cosa piccola che sta per esplodere (2007). Sofia si veste sempre di nero (2012), another collection of stories, brought him wider notice. He also writes essays and travel books, often drawing on close attention to landscape, communities, and the ways a place shapes a person’s sense of self.

Books and reputation

A pesca nelle pozze più profonde (2014) is an essay collection on writing and reading. In 2016, Cognetti published his first novel, The Eight Mountains (Le otto montagne). The book became his breakthrough: it won Italy’s Strega Prize in 2017 and also received the Strega Giovani and France’s Prix Médicis étranger. Its international success and wide translation made Cognetti one of the best-known contemporary Italian writers beyond Italy. The novel’s friendship between two boys, and its sustained engagement with the Alps, established themes that readers often associate with his work: the pull of home, the difficulty of family bonds, the appeal and cost of leaving, and the presence of nature in ordinary life.

Cognetti continued to write about journeys and mountain landscapes. His travel narrative Senza mai arrivare in cima (2018) recounts a journey in the Himalayas. Later novels include La felicità del lupo (2021) and Giù nella valle (2023). Alongside fiction, he has worked in film and written nonfiction, maintaining an interest in how people inhabit particular environments. His prose is often spare and unshowy, but attentive to physical detail and emotional undercurrents. Rather than treating mountains as scenery alone, he presents them as lived places that influence work, friendship, family history, and personal choice. The Eight Mountains was adapted as a feature film, further extending the reach of his best-known story.

Cognetti is alive; there has been no reliable report of his death as of 2026. In 2024 he spoke publicly about a serious mental-health crisis associated with bipolar disorder and hospitalization, saying that mental illness should not have to remain a source of shame. His candor brought attention to mental-health stigma alongside his literary reputation. His lasting standing rests above all on the international reception of The Eight Mountains, his continuing body of fiction and essays, and his distinctive ability to join a precise sense of place with humane reflection on friendship, family, and the lives people choose.

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